Close gaps by extending the out-time of the previous subtitle, taking care to follow the rules about timing around shot changes and remaining in sync with the audio.Gaps between subtitles should either be 2 frames or half a second or more.No gaps of 3-11 frames should be seen between subtitles in 24 fps content.In 24fps content, any gaps between subtitles of 3-11 frames inclusive must be closed to 2 frames.This parameter is applicable to any frame rate of content. Subtitles must have a minimum of 2 frames between them.In these instances, ensure the italics and segmentation rules are applied correctly. Subtitles may not cross scene changes except in cases where a character/speaker starts speaking before the shot change but the dialogue features in a subsequent scene.Apply good judgement as many timing decisions may feel subjective.When dialogue does not fall within these shot change parameters, follow the time to audio guidelines as set out in section 1. ![]() When dialogue crosses the shot change and if reading speed permits, the out-time may be adjusted to either be two frames before the shot change or at least half a second after it.when the dialogue starts 9, 10 or 11 frames before the shot change in 24 fps content), or moved up to the first frame of the new shot. To accommodate this, the in-time should either be brought forward to half a second before the shot change (e.g.When dialogue starts before a shot change, the in-time must be at least half a second before the shot change following the time to audio rules.Subtitles may cross shot changes when the dialogue they represent also crosses the shot change.These rules can be applied when the out-time has already been extended by half a second past the audio but apply good judgement when determining if a subtitle looks like it is hanging on-screen for too long and apply timing adjustments accordingly.If dialogue ends before a shot change and there is no subtitle after the shot change, you should still set the out-time to two frames before the shot change.That is to say, in-times and out-times may be brought forward or extended to be in sync with shot changes within the half-second parameter in order to create an even viewing experience and to allow the subtitles to fit neatly within the edit of the content. ![]()
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